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Madness And Modernism: Insanity In The Light Of Modern Art, Literature, And Thought
Free Ebook Madness And Modernism: Insanity In The Light Of Modern Art, Literature, And Thought
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From Publishers Weekly
Does the schizophrenic's chaotic inner world resemble modern art and literature? Sass, a clinical psychologist and Rutgers professor, argues that schizophrenia and modernism display striking affinities: fragmentation, defiance of authority, multiple viewpoints, self-referentiality and rejection of the external world in favor of an omnipotent self or, alternately, a total loss of self. While the parallels he draws often seem superficial, there is much to ponder in Sass's notion that schizophrenia's core traits are exaggerations of tendencies fostered by our culture. This dense, startling work examines schizophrenic inauthenticity in light of the thought of Nietzsche, that champion of self-invention and the mask. Sass analyzes Kafka's introversion, Baudelaire's esthetics of disdain, Alfred Jarry's robotlike persona and the loss of self suffered by Antonin Artaud, a diagnosed schizophrenic. Further, he likens schizophrenics' deviant language to the prose of Rimbaud, Sartre, Beckett and Barthes. Photos. Copyright 1992 Reed Business Information, Inc.
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Product details
Hardcover: 608 pages
Publisher: Basic Books; 1St Edition edition (October 27, 1992)
Language: English
ISBN-10: 0465043127
ISBN-13: 978-0465043125
Product Dimensions:
6.5 x 2 x 9.5 inches
Shipping Weight: 2.4 pounds
Average Customer Review:
4.5 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#697,970 in Books (See Top 100 in Books)
Excellent book if rather specialized.
I read this book almost two decades ago and I just read it again. This is a book that deserves several readings. Sass has given us analogies to the understanding of madness that we can, for once, actually look at...opening up a new road to understanding "modern art" and chronic mental illness. Since madness is always a broken, puzzling departure from what is considered "normal"; a visual representation of this extremely personal and in most cases incomprehensible reality is very welcome. Louis Sass has given us a whole new starting point on a new psychic road map.
This book has a wonderful thesis wherein much modern literature is associated with traits of schizophrenia. Reading the mentioned literature is a lot of fun. In addition to recognizing the relationships to Sass’s text the books are enjoyable in and of themselves.
...if you can endure the clinical tech talk, but it does make a connection between the destruction of art and the mental illness of those who are destroying it.
With an interpretation so rigorous and self-critical that it is almost cruel, Sass teases out the threads of experience joining madness to modernism. Unlike some who do this sort of work, Sass is well-versed not only in psychology and psychiatry but also in contemporary intellectual discourse, and makes sophisticated use of the work of figures such as Foucault and de Man in his reading. He argues provocatively, using literary, artistic, and autobiographical works as well as empirical data, that schizophrenia is not (as many say) a form of Dionysian primitivity but rather a kind of violent entanglement in the paradoxes of hyperconsciousness. This book is absolutely a must read for anyone interested in schizophrenia or in modernism. Luckily, Sass is a fine writer and makes the book quite an enjoyable read as well.
Louis Sass has written a fascinating comparisonof modernism and schizophrenia and relateddisorders -- I couldn't put this book down. Sass' knowledge of modern art and literature, coupled with his experience as a clinical psychologist and professor at Rutgers, makes this book. It's extremely well-written -- the language is complex, but by no means stilted and academic for the sake of being academic. Sass' words will catch you and draw you through fascinating discussions about identity, language, visual representation, and much more. He presents balanced observations and makes appropriate connections -- he doesn't romanticize schizophrenia. One story he relays expresses this perfectly (pardon my paraphrasing): James Joyce discussed the creative similarities between him and his daughter, a schizophrenic, with Carl Jung. Jung described the difference between Joyce's creativity and his daughter's seeming creativity by saying that the difference was that Joyce was diving down into the depths while his daughter was falling. This is a perfect analogy to put Sass' book into perspective. If you have any interest in issues of identity, psychology, and modern culture, you will want to read this book.
This is one of my favorite books. As a work on psychological styles and the nature of rationality, I rank it right up with The Greeks and the Irrational, by E.R. Dodds. The basic argument is that madness is not irrationality, but extreme and excessive rationality, and that the totalizing reasoning of madness shows parallels to the totalizing reasoning of philosophical, artistic, and literary modernism. This is an intriguing view in its own right, and it is a valuable response to the romanticization of madness by those such as Norman O. Brown, who declared that "schizophrenia is the dissolution of the false boundaries of self."I do have some reservations about this fascinating argument. First, I don't think Sass ever makes clear the nature of the connection between madness and modernism. Does he see the former as caused by the latter? Are both manifestations of the organization of an industrial society? Second, Sass doesn't seem to recognize that he is actually working within a well-established intellectual tradition. The psychological and aesthetic literature on decadence in the late nineteenth century, as exemplified by Max Nordau's Degeneration, saw both madness and avant-garde artistic expression as products of hypertrophy of the intellect. Third, there may be important differences between the deterministic world of madness and that of modernism. Specifically, the rationality of modernity can be seen as connecting causes and effects on a single surface of reality that neither reflects nor penetrates any other dimension. Madness, on the other hand, seems to work within a rationality of depth, giving thoughts and occurrences a metaphysical resonance.
While growing up I had several friends, and acquaintances, who were diagnosed as having schizoid personalities. I was curious, so I read several books on the subject and this is the only one that actually seemed to line it's theories up with what I knew from personal experience. Namely, that these were people who were hyperconscious. He did well in explaining how this could create distortions in viewpoint rather than enhancements. A few of my friends were even fans of the artists and philosophers referenced in the book as examples. His references to Foucault, his theory of the panopticon, and the empirical and transcendental doublet were also very insightful in explaining his theory.
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